Product Review: Nikon Prostaff P7 8 x 30.

The Nikon Prostaff P7 8 x 30 package.


A Work Commenced September 10 2024

Product: Nikon Prostaff P7 8 x 30

Country of Manufacture: China

Chassis: Polycarbonate overlaid by protective rubber

Exit Pupil: 3.75mm

Eye Relief: 15.4mm

Field of View: 152m@1000m(8.7angular degrees)

Dioptre Compensation: +\-4

Coatings: Fully broadband multicoatedPhase corrected Schmidt Pechan prisms, Hydrophobic coatings on ocular and objective lenses

ED glass: No

Field Flatteners: No

Waterproof: Yes

Nitrogen Purged: Yes

Close Focus: 2.5m advertised2.28m measured

Tripod Mountable: Yes

Dimensions:12.5 x 13cm

Weight: 485g advertised476g measured 

Accessories: Soft padded carry case, objective covers, ocular rain guard, padded neck strap, microfibre cloth, instruction manual

Warranty: Limited Lifetime Warranty

Price: £189.00(UK)

The Japanese sports optics giant, Nikon, has firmly established itself as one of the most successful marketers of binoculars in the modern world. What sets them apart from the European manufacturers of sports optics is their excellent bang for buck. Another distinguishing feature of all the Nikon products I’ve tested is their excellent quality control. 

In the last few years,   Nikon gave their entry-level and mid tier binoculars – the Prostaff and Monarch series- a makeover, incorporating more advanced features into these models that would have been quite out of the question only a decade ago. In this review I’ll be discussing my thoughts on the new Prostaff P7 8 x 30, the successor to the original Prostaff 7S 8 x 30 I reviewed back in 2020.

So What’s New?

Quite a few things actually. There’s a new hydrophobic coating applied to the lenses, which causes condensation to bead and slide off the optics in damp weather conditions. The right eye dioptre is now lockable and the field of view is substantially wider, going from 6.5 degrees to a whopping 8.7 degrees! And while it’s about 60g heavier than the first-generation Prostaff 7S, it still tips the scales at a featherweight 476g. The rubber armouring is also new with a more textured grippy feel than the original model.

I liked how it feels in my medium-sized hands. The textured rubber affords a good grip and the barrels protrude far enough beyond the bridge to allow your fingers to securely wrap around the instrument. But other things about its ergonomics niggled me. For one thing, the central hinge was too loose, so much so that I had to keep adjusting the IPD while in field use. The focus wheel is covered in thick black rubber with deep ridges. It turns smoothly enough but my unit had a small amount of play which detracted from the overall viewing experience. 
The eyecups are excellent, clicking firmly into well-established detents.
I’m not really a fan of lockable dioptre mechanisms, especially the designs used by Nikon and Vanguard. I find them overly delicate and a bit flimsy to say the least. And while the dioptre locked well enough on this unit, I was always left wondering when it was going to snap. In this capacity, a simple rotatable ring under the right ocular lens, like that exhibited on the less expensive Prosfaff P3 would have been more welcome …. and more durable I suspect!

Optics
Examining how the instrument handled a bright light source from across my living room showed up a few significant internal reflections as well as a small diffraction spike, which also showed up on a bright sodium street lamp after dark.

Daytime views are very good: it’s got a great big sweet spot, with excellent central sharpness and contrast owing to its phase corrected roof prisms and highly effective multilayer coatings. Colour tone looked neutral to my eyes, and its performance against the light proved to be above average. Testing on the brighter stars of summer in a twilit sky showed good off-axis control of aberrations with only mild field curvature slightly bloating the stellar images in the outer 20 per cent of the field. That said, what most impressed me about the little Prostaff P7 8 x 30 was its huge field of view: an enormous at 8.7 degrees! It really has to be seen to be believed! Indeed, it’s noticeably wider than the more expensive Monarch M7 8 x 30. 

1.3 revolutions clockwise takes you from closest focus(a decent 2.28m)to infinity. But there was not much ‘beyond infinity’ focus in my test unit. Eye relief is decent but nothing to write home about: I struggled to see the entire field using glasses with the eye cups fully retracted.

Conclusions & Recommendations

To be continued….

De Fideli.

Product Review: Zeiss SFL 8 x 30.

The Zeiss SFL 8 x 30 package.


A Work Commenced August 24 2024

Preamble 1

Preamble 2

Product: Zeiss SFL 8 x 30

Country of Manufacture: Japan

Chassis: Magnesium alloy overlaid by protective rubber

Exit Pupil: 3.75mm

Eye Relief: 18mm

Field of View: 142@1000m(8.1 angular degrees)

Dioptre Compensation: +\-4

Coatings: Fully broadband multicoatedPhase corrected Schmidt Pechan prisms, LotuTec coatings on ocular and objective lenses

ED glass: Yes, UltraHD

Field Flatteners: Yes

Waterproof: Yes, 4m

Nitrogen Purged: Yes

Close Focus: 1.5m advertised, 1.57m measured

Light Transmission: 90%

Tripod Mountable: Yes

Dimensions:12 x 10.7cm

Weight: 460g advertised462g measured

Accessories: Soft padded carry case, objective covers, ocular rain guard, padded neck strap, microfibre cloth, instruction manual

Warranty: 10 Years

Price: £1299(UK)

Back in 2014, Zeiss launched their new flagship binoculars embodied in the Victory SF, which were offered in both 8 x and 10 x 42 configurations. Then in 2020, two smaller models were launched, the Victory SF 8x and 10 x 32. While these offered class leading optical performance, they were rather long (15cm)and heavy(over 600g) in their compact class. The demand for something smaller and more lightweight impelled Zeiss to re-imagine their Victory SF series, and to create a new line of instruments offering top-notch optical performance in a more diminutive and lightweight package. In 2022, Zeiss answered their fans with the new SFL series, first introduced in 8 x and 10 x 40 configurations, but followed soon after with their smallest compact models yet developed: enter the 8x and 10 x 30 SFL.

Just like in the Zeiss Victory line, the SF stands for “ smart focus” while the L designates its light weight. So what did they do? Under the aegis of a newly head-hunted optical engineer from Swarovski, they made the lenses a little bit thinner(2mm) and smaller, which allowed them to be mounted in a shorter tube assembly. They also jettisoned the centrally placed locking dioptre mechanism to shave off even more weight, with the result that the new SFL 8 x 30, for example, tipped the scales nearly 150g lighter than the Victory SF 8 x 32. But there were other changes to the optics. The Ultra FL glass was replaced by Zeiss’ proprietary Ultra HD( UHD), of slightly lower grade. The field of view shrunk a bit too. Compared with the Victory SF 8 x 32( 8.8 degree field), the 8 x 30 SF sports an 8.1 degree field. In addition, while the SFL line does have field flattening optics, it’s not the ultra-flat system exhibited by the Victory SF series, as I was to discover during field testing. Light transmission took a small dive too: down from 92 percent in the case of the Victory SF to 90 in the case of the SFL series. The reader will note that these SFL binoculars are not made in Germany, but in Japan, under the supervision of Zeiss. In this capacity, they share that distinction with the Zeiss Victory Pocket series. Here, I’ll be taking a close look at the Zeiss SFL 8 x 30 model.

Ergonomics


This is one small binocular. Check it out compared with the Zeiss Conquest HD 8 x 32.

Despite its small size, the Zeiss SFL 8 x 30 is surprisingly easy to handle.  Its short bridge allows the barrels to protrude enough to enable the user to wrap their fingers round them for a secure grip, although those with larger hands may struggle a little with it. The black rubber armouring is lightly textured which also helps with gripping the instrument. The eyecups are well made and very comfortable to view through for prolonged periods. They can be unscrewed from the eyepieces to assist cleaning, though I did discover that if they’re not screwed in securely they can be accidentally unscrewed while extending the cups upwards.

A little extra care is definitely required here. It’s not an issue for me, as I leave the cups permanently extended. There are four positions, each of which locks into place firmly with an audible ‘click.’ Eye relief is plenteous: I can easily engage with the entire field while wearing my eye glasses. 

The focuser is excellent: big and easy to engage with. Just 1.4 revolutions clockwise brings you from closest focus to infinity and beyond. I was delighted to see that there’s a decent amount of ‘post infinity’ travel too which will be music to the ears of those of you who have extreme short-sightedness. A single finger can rotate it smoothly and accurately. Just a slight turn of the wheel brings objects into sharp focus from close up to far off. While there is no play or backlash in the movement, it does show some resistance to movement near the end of its anticlockwise travel. 

I really like the right eye dioptre on the SFL. It’s got excellent resistance to movement. Simply rotate it into your preferred position and leave well alone.  

Zeiss claim that the SFL is watertight to 400mbar water pressure. Why they use millibar units is a bit of a mystery to me. Isn’t immersive depth much more accessible to the average Joe? Both Swarovski and Leica publish depths and not pressure. Quite sensibly I’d say. Indeed I note that the two well known binocular reviewers linked to in the preambles above parrot this nomenclature too. C’mon guys: a bit of high school physics will clarify this for your readers. Follow this procedure: 


Optics

Examining how the binocular coped with shining a bright white light source from across a room showed very good results. Internal reflections were well controlled and unlike the Zeiss Conquest HD I tested it against, it didn’t show a prominent diffraction spike. I did however pick up some faint ghosting when examining the blue super full Moon shortly after local midnight on August 21. 

Examining the exit pupils showed excellent results as you can see below.

Optically, the view is very impressive: wide, bright, tack sharp within its generous sweet spot, with plenty of high resolution details on display. It is significantly better, for example,  than the image served up by the Conquest HD 8 x 32 I tested along side it. Glare suppression is excellent against the light. Colours are vividly but naturally portrayed.


There is some mild pincushion distortion off axis and I detected some softening of the images near the field stops. The nature of this edge-of-field softening became all too clear when I monitored the bright star, Vega, high overhead. The bright white luminary remained tightly focused within the inner 60 per cent of the field or so but thereafter began to distort. At the field edge it was quite noticeably bloated. Because I was able to focus much of this out showed it was field curvature in the main. The same was true when I trained the SFL on a waning gibbous Moon in the wee small hours of August 24. While it was tack sharp within its sweet spot, it became quite blurry near the field stops. Which brings me to the subject of field flattening optics. Clearly not all field flatteners are created equal. Comparing it to the ultra flat field of my full size Sky Rover Banner Cloud 8 x 42 APO, for example, which showed pinpoint stars right across a significantly wider field from edge to edge, the result for the Zeiss SFL was rather disappointing, especially considering its rather steep retail price.

Chromatic aberration was essentially absent from the centre of the field but crept up as I moved my test subjects off axis. Near the edge of the field, the images of dead tree branches against a uniformly bright overcast sky showed significant lateral colour. It was noticeably more pronounced than in my control binocular(the Banner Cloud mentioned above). Again this was a bit disappointing as I know of much cheaper binoculars that have much better colour correction. These results were also clearly seen when examining a silvery white Moon.

Notes from the Field

Close focus was measured at 1.57m: very good indeed, though I was half expecting it to be a tad shorter, based on all the comments I read or heard about during my researches, which almost invariably claimed sub 1.5 m close focus. The view is very comfortable: perhaps the most comfortable compact I have personally experienced. Panning showed up no rolling ball effect which I attribute to the influence of Dr Holger Merlitz, whose research findings were taken into consideration by Zeiss in the overall optical design of the SFL series. 

The big selling point of the SFL series, of course, is their light weight, and at 462g it certainly is light! But this can be somewhat of a disadvantage in some circumstances, as I discovered when I brought it out during a blustery spell prior to the arrival of Storm Lilian during the third week of August. With strong winds whipping by me in the open air, I found it much more challenging to hold steady compared with a full size 8 x 42 under the same conditions.

Conclusions & Recommendations

Without question, the Zeiss SFL is a premium compact binocular that excels in many areas: feather light, small size, a comfortable wide field of view and razor sharp optics within its sweet spot, but it doesn’t quite reach the dizzying heights of optical performance seen in the current line of ultra-flat field APO binoculars in the 32mm format. It will appeal greatly to daytime birders and those who like to travel.

Still, for me at least, like all compact binoculars I’ve gradually discovered, it leaves something to be desired compared to the more immersive and engaging views garnered by top quality full-size instruments. So something to bear in mind.

Very highly recommended!

Dr Neil English is the author of Choosing & Using Binoculars: a Guide for Stargazers, Birders and Outdoor Enthusiasts. Please support his ongoing work by purchasing a copy of the book.

De Fideli.

Further Thoughts on the SRBC 8 x 42 APO Binocular.

One of the great birding binoculars of our age.


A Work Commenced July 24 2024

Back in April of this year, I took possession of a new high-performance binocular marketed by Sky Rover: the Banner Cloud(SRBC) 8 x 42 APO. Since then I’ve used and tested it extensively in every conceivable lighting condition, from dawn til dusk and even under the dark skies of northern Italy. These collective experiences have made this author do a great deal of soul searching, to such an extent that I now believe the 8 x 42 to be superior to my beloved Swarovski Habicht 8 x 30W. As a consequence, it’s now become my workhorse birding binocular. The reasons are as follows:

  1. In good light, it offers the same central sharpness and better off axis sharpness than the Habicht
  2. It puts much more real estate before your eyes -36 percent more than the Habicht
  3. It has much better performance against the light – substantially less glare – than the Habicht
  4. It has significantly closer focus than the Habicht 
  5. Its focus wheel is much easier to rotate accurately and precisely than the Habicht
  6. Its larger aperture produces brighter, higher contrast images of targets in strongly backlit situations e.g tree branches against a grey sky
  7. Its larger aperture and exit pupil makes it a much better instrument to use in low light situations or when glassing under a dense forest canopy. 
  8. Its significantly greater mass gives a more stable view with less shake than the lighter Habicht.

I have no doubt the images served up by the 8 x 42 SRBC are absolutely world class. A well known binocular hoarder, and self-proclaimed elitist, possessing all the very best binoculars, described its appeal to a sceptic:

“Yes, the wide field of course, but even more perhaps the very well corrected image across most of that wide field. So far, that was the preserve of the NLs and SFs of this world, so Sky Rover seems to have surprised the market with a „non-premium“ version that imitates the original amazingly well. I am myself truly impressed with the optics of the SRBC.”

Unlike my elitist friend, who probably stores his gear away under glass, I’ve built up a great deal of experience using the instrument in the field, both here in Scotland and abroad in the searing heat of an Italian summer, and so can offer constructive feedback on its robustness and the likelihood of it malfunctioning over time. Well, I’ve immersed these instruments in water with no issues. I tested the functionality of the focus wheel after storing the instrument in a freezer at -20C with no issues. And it coped admirably in temperatures well above 40C(out of the shade). So I have no doubts about its robustness and potential longevity. After all, binoculars are relatively simple instruments with few moving parts. What could potentially go wrong?

Armed with this knowledge and experience, it’s my belief that the hegemony of the European-made binocular has come to an end. I would add that it’s a complete waste of money, in my opinion, to invest in something like a Zeiss Victory SF or Swarovski NL Pure when you have the no frills SRBC  giving you the same quality views. The old adage is still true; a fool and his money…..

Birding Experiences with the SRBC

The enormous 9.1 degree field of view allows your eyes to monitor a significantly larger area to spot movements in trees, scrub or open fields. For example, since using the SRBC regularly, my notes show that I’ve glassed substantially more Wrens than I’ve ever done before. These tiny birds are more often heard than seen, but the huge flat field of the SRBC and its amazing sharpness conspire to make seeing their movements within bushes much easier.

It’s superlative sharpness and excellent colour correction makes picking off targets at distance much easier. I have no problems distinguishing airborne Goldfinches from Pied Wagtails for example, at distances up to 150m away. 

The SRBC’s excellent glare suppression makes glassing against the light much more productive. Lesser instruments, drowned out by glare, makes it much more difficult to pick off targets when the Sun is close to the horizon. 

The silky smooth focus wheel makes following moving targets very easy. Tracking a fast-moving bird flitting from a tree just a few metres away to another location tens of metres away is effortlessly achieved by a gentle twirl of the focuser. 

I’ve thoroughly enjoyed glassing open meadows decorated with wild flowers. The huge field, devoid of blackouts is exceptionally immersive: you really get a sense of being in the image. Such carefree glassing has proven very profitable for birding too. For example, just the other day, I was doing just this with the 8 x 42 SRBC, strolling along a country road when a female pheasant together with her clutch of youngsters emerged from the long grass just a few yards from me. The SRBC revealed extraordinarily fine details of its plumage and long, elegant tail. Astonishing!

A lucky find in a summer meadow.

I’ve also enjoyed glassing long into the evening twilight, watching badgers treading their paths across nearby fields, stopping every now and then to sniff the dew-drenched grass, and using their powerful front paws to dig for roots. Pipistrel bats emerging from Culcreuch Castle often descend on the nearby pond to feast on insects and its been thrilling to watch them with both the 8 x 42 and its larger 10 x 50 sibling.

I’ve ordered up a custom iPhone adapter to do some imaging, as well as some extra eye cups to store as backups if need be. I’m also considering a bino harness to support the weight of these instruments for longer duration glassing events. I’ll let you know how I get on with these in a future blog.

All in all, I’m thrilled to bits with these new optical wonders from Sky Rover and heartily recommend them to other members of the birding community.

Optical Perfection.

Notes from the Field

Upon my return from Italy, the instrument was found to have a significant amount of dust. It was everywhere: on the rubber armouring, on and around the objectives and eyepieces. When I unscrewed the eyecups from the instrument,  I found a layer of fine dust there too. The instrument was throughly cleaned. 

I store my SRBC binoculars in sealed Tupperware containers with large quantities of desiccant even though they are water proof and gas filled. That way they are ready to use at a moment’s notice. My ongoing experiments show that regardless of how well sealed a binocular is, it’s only a matter of time before the dry nitrogen will outgas. These containers draw all the water from the inside of the barrels and so will remain fog proof. And provided they are returned to these small containers when not in use, there is no need to have them refilled with nitrogen.  

While the 30-32mm aperture class is good for many purposes it is not optimal. Even on bright days, there will be many scenarios where the greater contrast garnered by the larger 42mm aperture will prove superior to the smaller class. In particular, I’ve noticed the superior performance of the 42mm glass glassing trees against a bright overcast sky. In addition, the larger eye box makes for a more comfortable viewing experience.   

Thanks for reading!

Post Scriptum: August 1 2024

Battle of the Alphas.

I recently bought in a Leica Ultravid HD 8 x 42 to compare it with my SRBC 8 x 42. The Leica is lauded for its crystal clear views and excellent resistance to glare. Here’s the breakdown based on a couple of days of daylight testing.

Ergonomics: while the Leica is shorter and more compact, it’s still quite hefty at about 790g( the SRBC is 863g without ocular and objective caps). In my medium sized hands, the Leica was harder to get my fingers around the barrels. The SRBC was much more comfortable for me with its shorter bridge. The focuser was a real disappointment on the Leica. It was not silky smooth like on the SRBC, with quite a bit of uneven resistance. It also had some significant free play which really niggled me. The eyecups were judged to be equally nice on both instruments.
Hydrophobic coating test: the SRBC coating proved the equal of the Leica( Aqua Dura) in being able to disperse a thick layer of condensation applied to the 42mm objectives. Both instruments dispersed this condensation with equal speed.

Optics: The Leica Ultravid has very fine optics to be sure but I judged the SRBC to be superior overall.
Shining an intensely bright beam of white light from across my living room showed up excellent results with both instruments. I would give the SRBC the nod though in having slightly less internal reflections (read very minimal).
Glassing rocks and the grain on the trunks of trees in the middle distance showed their sharpness to be identical in the centre.  The Ultravid HD might have had slightly more ‘sparkle’ and slightly more saturated colours but the differences were very subtle to say the least. Glare suppression was very good in the Leica but it was inferior to the SRBC, as evidenced by glassing some shaded vegetation immediately below a bright afternoon Sun.
Off axis aberrations were better controlled in the SRBC too, especially pincushion distortion, which was much more pronounced in the Ultravid HD. Chromatic aberration was excellently controlled in the centre field of both instruments, but was a little bit more pronounced in the Ultravid HD near the field stops. Close focus was a tad closer in the SRBC than in the Leica.
With a field of view of just 7.4 degrees the Leica Ultravid HD has a portal fully 50 per cent smaller than the SRBC and it really shows! The SRBC view is just far more compelling IMO. Image brightness appeared the same after sunset. The Leica has a measured transmission of 90 per cent for reference. 
In summary, I have no doubt that the SRBC is a more technologically advanced binocular than the Leica Ultravid HD. Kudos to the PRC!

Update August 6

Testing Against a Zeiss Conquest HD 8 x 32

Some background: the Zeiss Conquest HD series is widely regarded as upper mid-level in terms of optical performance and in general rates among the best of the $1K priced binoculars on the market as of very recently.
The following observations were made only during bright daylight, either in bright sunshine or bright overcast skies. But I also tested for artefacts by shining a bright white light beam through the instruments.

Bright light test: The Zeiss Conquest HD(CHD) showed excellent control of internal reflections but did display a very prominent diffraction spike. The SRBC also showed no internal reflections and no diffraction spike. The same result occurred when I turned it on a bright sodium street lamp after dark about 100m in the distance. The spike was annoying to see in the Zeiss CHD. Not an instrument I’d choose for glassing harbours or cityscapes at night.

Colour tone: Comparing both instruments, I was immediately struck by the cooler colour tone of the Zeiss. This is well documented in the literature. Glassing flower baskets and beds showed the SRBC to have richer, more vibrant colours.


Sharpness: Central sharpness was a tad better in the SRBC and maintained better sharpness as the target was moved off axis. I would say the SRBC image displays significantly more ‘bite’ than the Zeiss CHD.

Image Immersion: The wider flatter field of the SRBC produced a much more immersive experience,as if one were sitting in the image. That said, for a 8 x 32, the 8 degree Zeiss is very nice!

Off Axis Aberrations: These were well controlled in both instruments. The SRBC had a tad less pincushion distortion and significantly better edge-of-field sharpness compared with the Zeiss CHD.

Chromatic Aberration( CA):
Glassing through several layers of defoliated branches on a dead tree against a bright overcast sky showed very little longitudinal CA in the centre of the image,  with the SRBC being a little better in this regard. It was a totally different matter with off axis(lateral) CA though. The Zeiss CHD showed significantly more, both in extent and intensity.

Glare: Both instruments display well above average suppression of glare against the light,  but the clear winner, once again, was the SRBC.


Focusing: the Zeiss CHD has a very fast and silky smooth focus wheel displaying no free play or uneven resistance to movement throughout its travel both clockwise and anticlockwise. But it’s so fast that one can often overshoot on the target and so requires a little bit more concentration to get it just right. In contrast the SRBC focus wheel is more refined in my opinion. it’s smooth but has more traction allowing one to get the focus right first time, every time.

Close focus: the Zeiss CHD has a shorter minimum close focus(well under 2m) compared with the SRBC.

In summary; the Zeiss Conquest HD is a good step down from the SRBC 8 x 42. Nearly everything about it is underwhelming in comparison. If weight is not an issue the SRBC is clearly the better choice for birding and general daylight glassing etc.


Update August 14

Zeiss SFL 8 x 30 versus SRBC 8 x 42

Introduced in 2022, the SFL series retail for £1300 to £1600 here in the UK.

Summary: Much closer than I expected but still no cigar.
The Zeiss SFL is a real class act with some of the best images I have experienced in a compact class binocular, but it exhibits higher levels of colour fringing in its outer field compared with the SRBC, as well as noticeable field curvature which softens its edge performance.

Details:

White light test: the Zeiss SFL has higher quality prisms than the Conquest HD, as evidenced by the absence of a diffraction spike. It proved as good as the SRBC in this regard, with very subdued internal reflections.

Glare suppression: is a step-up from the Zeiss CHD, and is as good (if not a tad better) than the SRBC against the light.

Colour tone: These looked almost identical to my eye under a variety of different lighting conditions. The SFL showed the same vibrant but accurate colours of flowers and shrubs as the SRBC and distinctly different from the cooler tones seen in the Conquest HD. A very pleasant surprise!

Central Sharpness: As good as the SRBC in good light i.razor sharp, excellent.

Off-Axis Sharpness: the SFL loses critical sharpness gradually as it’s moved off axis. The outer 20 per cent of its field is noticeably softer than the SRBC which I suspected was due to field curvature. Star testing confirmed this. Centring pinpoint sharp Vega in the field of view of both binoculars and panning off centre showed a pronounced bloating of the star which was very obvious in the outer 20 per cent of the field of the SFL Much of this could be focused out however, indicating that field curvature was indeed the major contributor. In contrast, the SRBC showed very little or no departure from pin sharp all the way to the field stops.

Chromatic aberration:
The UHD optical system in the Zeiss SFL provides crisper images with higher contrast than the Conquest HD. That said, it was no match for the SRBC in terms of colour correction. While both instruments showed  essentially none in the centre, moving off axis in the SFL showed significantly higher levels of lateral colour than the SRBC, which in contrast showed very little. I feel the SFL is a high quality ED binocular but can’t match the true APO billing of the SRBC.

Focus Wheel: The SFL has a super nice and responsive wheel with near perfect amount of traction. More refined than on the Conquest HD. And just like my SRBC, it shows a little bit of resistance at the end of its anticlockwise travel. 

The Overall View: Both are very relaxing to pan, showing very little or no rolling ball effect, and no annoying kidney beaning. Eye relief is a little better in the SFL. The significantly wider (8 vs 9.1 degrees) and flatter field of the SRBC creates a more immersive and majestic view that is just so addicting.

Conclusions: Superior colour correction(owing to the use of Ultra FL), ultra flat, and ultra wide field are hallmarks of Zeiss’ flagship models: the Victory SFs. The SRBC should rightly be compared to the SF or indeed the Swarovski flagship line, the  NL Pure, which may close or exceed the performance gap.

Update August 24

CNer Koh from South Korea did a shoot out between a 10 x 42 SRBC and a Leica Noctivid 10 x 42, declaring the SRBC the easy winner. Later in the same thread he compares the 12 x 50 SRBC with the Swarovski EL 12 x 50 and found the former to be superior over all. Details here.

Just for the fun of it, I cross posted Koh’s review over on the bino porn site on Birdforum. Ruffled a brood of vipers and flushed out the haters. The reader will note it’s the same folk who have never looked through the SRBC that are most critical of it. Yip, the classic argument from pure ignorance.

Infamy!, Infamy! ….. they all have it in for me! Lol

Job done.

Maybe now I should take up collecting watches or something?

De Fideli.

If you like my work please consider buying a copy of my new book: Choosing & Using Binoculars, packed full of hot bargains that won’t break the bank.

Desiderata.

The Sky Rover Banner Cloud APO 8 x 42.

There’s no getting away from it: the point that all of the top performing full-size bins are going to be on the heavy side. Packed full of goodies you see. Just have to look at all the best offerings from Zeiss(790g), Swarovski(840g) and Leica(860g) to realise the truth of this. Yet despite their gravitas, they deliver the most comfortable, immersive and engaging views of any binocular. The Sky Rover Banner Cloud (SRBC) 8 x 42 APO(883g) – which I consider the equal of any of the top European offerings- follows suit. 

I’ve been experimenting with ways to maximise my observing dreamtime using this instrument and tomfooling with a bino harness. A Cloudynights contributor kindly sent me one: a Rick Young model to try out. Nice! Let’s just say that I took to it like a duck to water. It takes seconds to set up: put it on like a jacket, it spreads the weight of the binocular across your shoulders rather than your neck. As an inveterate rambler aged 55, I walk at least 5 miles every day throughout late spring and the summer months, and more lately with the 8 x 42 SRBC around my neck, so it’s covered a great deal of terrain in the four months I’ve had the pleasure of using it. I’m now convinced that the harness does make transporting the instrument a lot easier, especially on excursions that take a few hours to complete. For shorter stints, I still use a comfortable, wide neoprene neck strap. Here’s some background on the Rick Young Harness. 

Here’s how it looks worn over a sweater.

And here it’s shown with a fleece worn over it.

You can even wrap the harness ‘round the barrels if you need to get back from out there at a moment’s notice. It also works superbly with my larger 10 x 50 SRBC which tips the scales at about 1 kilo.

Needless to say, I’d highly recommend it to all and sundry.

Why Go Back to a Super Wide Angle 8 x 42?

In a phrase: “the view.”

But to elaborate: the supreme comfort of a larger eye box, the majestic field of view without a sweet spot i.e. the entire field is razor sharp from centre to edge.  Just how big a field of view? Larger than the Zeiss Victory SF and rivalling the Swarovski NL Pure. The wonderful glare-free image with no chromatic aberration. And did I mention that super smooth and responsive focus wheel? A lethal combination of features for sure!

Try as I did to replicate the same portal in a smaller format, I have yet to see any 30-32mm instrument that comes close to offering the level of comfort afforded by the SRBC. Stack ‘em up: the Swarovski Habicht 8 x 30W, Nikon EII 8 x 30, Nikon Monarch HG 8 x 30, Zeiss Conquest HD 8 x 32, Leica Ultravid HD Plus 8 x 32, Zeiss SFL 8 x 30 – all fall short of what the SRBC 8 x 42 offers. All very lovely instruments but all compromise instruments nonetheless.

More News

Imitation, they say, is the sincerest form of flattery. APM is now taking orders for their own rendition of the SRBC in the 8x and 10 x 42 models also marketed by Bosma. So they’re now available from a European shop with a European warranty. Choice is good.

Sky Rover has brought out a dedicated iPhone adapter tailored for use with the SRBC binoculars. I’ve got one on the way. Should be great to show off the enormous fields served up by the SRBCs.

Rumour has it Sky Rover will shortly be adding 56mm models to the Banner Cloud APO line. These will undoubtedly cause a loud splash in the astronomy community. Would love to see a low power, low-light model with a large exit pupil and a higher power model for probing deep into the night sky or for use in longer-range terrestrial applications.

All Weather Instruments

The SRBCs are built like proverbial tanks. They’ve been out in all weathers with me and have coped admirably in every situation. Late August has brought very inclement weather to Scotland, with high winds and driving rain. The thick rubber armouring affords great protection and the excellent hydrophobic coatings applied to the outer lens elements on both the objectives and eyepieces have been shown to work splendidly in dispersing moisture in critical situations. This is the kind of instrument that I can depend on during our long, cold winters as no doubt you’ll hear about in due course. 

The March of the Seasons

Autumn comes earlier to Scotland than to more southerly nations of the UK. The leaves are already shutting down the production of chlorophyll in response to the rapidly shortening days. The Swallows are beginning to gather on the telephone wires. Soon they’ll be clearing off south to warmer climes. 

Scotland’s national flower, the thistle, is now ripe with seeds which serve as nutritious food for a whole host of small birds such as Goldfinches and Siskins. I’ve been enjoying watching their antics with great interest with the 8 x 42 SRBC, drinking up the views garnered by its class-leading field size in wonderful high-resolution detail. 

The roadsides are also arrayed with many species of wild flowers where I’ve been studying all manner of Warblers;  noisy Chiffchaffs, wee Goldcrests and common Wrens feasting on the early fruits of autumn. As the human world continues to fall apart in these End Times, I take solace from watching God’s winged creatures strutting their stuff in all their glory.

To be Continued…….

De Fideli.

Test Driving a Late Model E. Leitz Binuxit 8 x 30.

A late model E Leitz Binuxit 8 x 30.

A Work Commenced July 22 2024

Modern technology is a wonderful thing.  But sometimes it’s good to take a step back from modernity to enjoy life in a slower lane. 21st century cars, for example, are packed full of state-of-the art innovations but who wouldn’t relish the opportunity to take a spin in a fine, open-top classic car with the wind flowing through your hair, soaking up the scenery along a winding country road? Well, just like classic cars, classic binoculars can also evoke such feelings.

Of all the binocular genres available today, it is the 8 x 30 Porro I that remains the most iconic, combining optical excellence within a small and lightweight chassis. They’re all over Hollywood- the old, non-woke one at least. You’ll see these in old James Bond and World War II movies. They even made an appearance on an Indiana Jones film. Back in the day, all the great European and Japanese binocular manufacturers including Zeiss, Swarovski, Nikon and Leica produced their own renditions of these instruments. The first big company to discontinue the 8 x 30 Porro binocular was Leica, or rather E Leitz, Wetzlar, Germany, which manufactured their Binuxit 8 x 30 continuously from 1927 until 1962. Zeiss followed suit in the early 1990s with only Swarovski Optik now keeping these traditional instruments in continuous production as of the time of writing. Thankfully, companies like Nikon, Kowa and Opticron still offer economically priced but excellent compact Porros to fill the market gap.

The Binuxit 8 x 30 was a highly regarded instrument, prized by birders, naturalists and outdoor explorers for its robust design and optical excellence. For a few years now I’ve cultivated a solid curiosity for these instruments. How would they hold up today? Were the optics as sharp as some veteran birders had made out? A few would show up on Fleabay but more often than not there were significant cosmetic issues – the leatherette armouring had worn off, or the metal tubes had sustained dings, while others had been infested with fungus, and what not. One day a Binuxit came up for sale in what appeared to be excellent condition – at least from first appearance. The asking price was higher than usual too – about £250! Maybe it was time to make my move. So I bit the bullet and bought the instrument. 

Upon arrival, everything looked good. The leatherette was well preserved, with no significant deterioration after all these years. Judging by the serial number this was a more recent model; most likely dating to the late 1950s. The central focus wheel had not frozen up but was very smooth and responsive. The black bakelite eyecups were also in tip top condition and finally, the right eye diopter ring was rotating smoothly with a fair amount of resistance.

The E Leitz Binuxit 8 x 30 serial # 610331.

The instrument also came with its original sandpaper-brown leather case with its original leather carrying straps.

The beautiful & original leather case accompanying the Binuxit 8 x 30.

First handling the instrument was a real pleasure. This instrument was probably pushing 70 years of age but it was in quite remarkable condition as the following photos attest.

The famous maker.


Model & Serial number.


Well preserved coatings on the objectives.


And eyepieces…


The perfectly functioning dioptre adjustment ring under the right ocular lens.

The one sign of deterioration was seen on the focus wheel, where some of the original paintwork had worn off.The central hinge was still nice and stiff, enabling the user to accurately adjust it for their particular IPD. The focus wheel was still super smooth, wobble free and accurate too. Remarkable! The only synthetic material I could find on the instrument was the shiny black bakelite eye caps – perhaps a symbol of the spirit of the age – in excellent condition. The seller claimed that this sample was probably as good as one could reasonably expect given its great age, and I can only agree.

Very impressive!


Servicing

When I examined the interior of the glass, I was relieved to see it was quite clean with only a thin layer of haze having built up on the prisms. And when I looked through the glass I was very pleased with what I saw: and not at all what I expected. Nonetheless, I felt it could do with a professional service, so I gave Tony Kay of OptRep a call to see if he was willing to take on the job. He agreed and so off it went down to the south coast of England. After my return from Italy in mid-July, I noticed a small box had been delivered just a few weeks after I dispatched it. I had the Binuxit back, all cleaned up, finely-tuned and ready to go! Having had several instruments serviced by OptRep, I have no hesitation in recommending them. As usual, it was quick, thoroughly executed and reasonably priced. On the accompanying invoice I got a breakdown of the scheme of work:

Scheme of work.

Optics

Check out those exit pupils: exemplary!

Shining a bright light through the objectives showed very unexpected results. I anticipated very prominent internal reflections but it was not the case! Yes there were a few seen but they were quite subdued. There was however a significant amount of diffused light around the light source. 

Examining the exit pupils aimed at a bright daytime sky(see above) revealed super nice results: no truncation and no light leaks around them. This is perfectly in keeping with modern Leica binoculars,which show great attention to detail with internal blackening and baffling. 

So what is the view like? In a phrase: excellent but dim! Central sharpness is right up there with the best modern 8 x 30s. It’s got quite a wide sweet spot, with only the last 20 percent of its 8.5 degree field showing the classical off-axis aberrations, including field curvature and astigmatism. Pincushion distortion is modest off axis. Colour tone is quite neutral, which again came as a surprise to me, as I expected it to have a yellowish hue, which is very characteristic of old optical glass that exhibits poor blue light transmission. Glare suppression was also excellent, much better in fact than a state-of-the-art Swarovski Habicht 8 x 30W. 

Because of the simple, monolayer coating of magnesium fluoride applied to the lenses (but not the prisms apparently) light transmission is well below modern standards. Indeed what really shocked me was how much dimmer it was looking at some street lighting at night compared with a small Leica Trinovid BCA 8 x 20 manufactured in November 2021! Having said that, it works very well in bright afternoon sunshine or overcast conditions. 

The Binuxit 8 x 30 produced dimmer images than a modern Trinovid BCA 8 x 20 (right).

Notes from the Field

This is a charming binocular from yesteryear. Optically and mechanically, I would put the Binuxit well ahead of the Zeiss Jenoptem. The latter has a less well built chassis and is plagued with glare. The sharp, well-corrected optics from this near-on 70 year old glass show that the lenses were beautifully figured and polished into their ultra-precise geometrical shape. If this glass were treated with a modern multi coating it would surely rank among the best compact Porro prism binoculars out there.  

Comparing the coatings on the objectives of a state-of-the art Swarovski Habicht 8 x 30W shows just how far optical engineering has advanced in terms of the reduction in light loss.

Check out the differences in the objective reflections between the Binuxit(left)and Habicht(right).

Close focus was estimated to be about 4m: not great by modern standards but I guess we ought to remember that the requirements for ultra close focus was probably not a high priority for glassers of yesteryear.  

I’ve enjoyed glassing the hills round my home, watching Siskins and Goldfinches feasting on ripened thistle flowers in open fields and it’s accompanied me on long walks along the riverbank, watching Kingfishers, Dippers and majestic Grey Herons hunting for fresh fish and crustaceans in the shallow rapids. Its low light transmission works rather like using sunglasses on bright sunny days which can reduce eye fatigue. I can also foresee its use during snowy episodes in winter, when the reflections from fresh snow are attenuated.

I’m not a collector but this is glass that will remain in my stable. Let’s just say I’ve made a good investment in a beautifully fashioned optical instrument from one of Germany’s most prestigious optics houses. Should the Lord tarry, it ought to last well into the 22nd century AD. 

Read much more about classic binoculars in my new book, Choosing and Using Binoculars.

De Fideli.

Book Review: ‘Cancelled Science: What Some Atheists Don’t Want You to See’ by Eric Hedin PhD.

Over the last century, scientists have made the most remarkable discoveries about our universe. We have learned more about its vast size, its finite age, and that it is peppered with countless trillions of galaxies, which are like veritable “island universes,” each home to billions of stars and vast clouds of gas and dust ripe for the creation of future stars. In more recent years, cosmologists have unearthed a whole string of cosmic coincidences that are necessary to make life in general, and human life in particular, even possible. Such coincidences have caused quite a lot of philosophical disquiet in recent years among atheists, who have desperately tried to explain away our significance as a mere fluke – chance caught on the wing, as it were.

But other thoughtful scientists see this evidence as unmistakable signs of deliberate design by a mind far more powerful than ordinary human understanding. It was these remarkably fine-tuned properties that inspired the teaching of new university modules on the fruitful intersectionality of science with philosophy and even religion. This is where we pick up the story of one such scientist, Dr. Eric Hedin, a former professor of physics at Ball State University, who developed a course entitled ‘The Boundaries of Science’ for undergraduates in philosophy and the sciences.

After successfully teaching this interdisciplinary module to students for several years, Hedin’s teachings came to the attention of the outspoken atheist and evolutionary biologist Jerry Coyne, who, together with lawyers from the militant atheist Freedom from Religion Foundation, pressured the university to shut down the course because it was allowing room for discussion of intelligent design-based ideas. Hedin and his colleague, astronomer Dr. Guillermo Gonzalez, were subsequently denied tenure, which forced them to seek employment elsewhere. In the wake of these events, Hedin wrote a provocative book entitled Cancelled Science: What Some Atheists Don’t Want You to See, which recounts his ordeal while also delivering some of the key ideas he had presented to his students at Ball State.

The Cosmic Beginning

The opening chapters discuss some of the main evidence for a cosmic beginning, such as Hubble’s Law, which established that the universe had a definite beginning around 14 billion years ago. And despite attempts by the greatest cosmologists to refute such a conclusion, the evidence of a beginning has only grown stronger. All matter, space, and even time itself had a definite beginning in the finite past, and that implies that the agent that caused this hot Big Bang event must exist beyond, or outside of, the space-time continuum of our universe.

But as Hedin explains, the ensuing expansion of the universe was no haphazard expansion. The rate of its inflation had to be highly fine-tuned. If it had been just a little slower, gravity would have eventually turned everything into black holes, and if it had been any faster, all the matter would have been hopelessly diluted, preventing stars and planets from ever forming. As Hedin concludes:

This opening act of our universe was anything but a random explosion. It was more like an orchestrated expansion, or like the opening of an elaborate “pop-up” book, in which a castle with turrets, moat, and drawings unfolds perfectly as the first page is opened.

“Balanced on a Knife-Edge”

Chapter 4 discusses the constituents of our universe with its odd mix of ordinary matter and so-called dark matter and dark energy. Hedin explains that while we are still unsure regarding the nature of both dark matter and energy, the latter component had to be fine-tuned to within one part in 10^120 to enable life to eventually flourish in the universe. This extremely fine-tuned property prompted the physicist Paul Davies to declare that “the cliche that life is balanced on a knife-edge is a staggering understatement.”

Hedin makes it clear that the universe is old and vast. Furthermore, he offers some compelling reasons why the cosmos must be the age it is (about 13.8 billion years old), since it takes a considerable amount of time to create the heavy elements needed for planets and life to eventually come into existence. And while many atheist astronomers see the size of the universe as an indicator of our insignificance, Hedin turns this suggestion on its head by asserting that the universe’s vastness actually “underscores our significance.”

The “Thorny” Question of the Origin of Life

In chapters 7 through 10, Hedin provides a fascinating overview of the incredible sequence of events that made Earth habitable. Central to his arguments is the notion that life appears to be an extraordinary addition to our universe that defies all attempts to explain its origins and subsequent flourishing on Earth. Hedin casts his critical physicist’s eye over the thorny issue of the origin of life using several arguments from the physical sciences to highlight the highly improbable emergence of the first living cells from inanimate matter. In Hedin’s words:

As technology has advanced to where we can observe the inner workings of living cells, we are confronted with a shockingly high-tech arrangement of atoms and molecules. The biomolecular metropolis inside a cell is unlike anything observed anywhere else in nature. The arrangement of atoms in a cell is neither a random atomic jumble, nor a simple, repetitious, crystalline pattern … Neither chance, nor law-like processes, nor chance and natural selection together possesses so much novel information, even granting the entire history and breadth of the Universe.

The End of Neo-Darwinism

In chapter 10, Hedin launches a robust attack on Darwinian ideology, raising his suspicions that it’s just not sufficient to explain the evidence. He writes:

Modern Darwinism seeks to establish that random mutations, however generated, coupled with natural selection, changed a single original species of life into every species of life that has ever existed on Earth. This theory corresponds with some evidence, but conflicts with other evidence, and the conflicts are substantial. There are still no observed examples of one species gradually evolving into a distinctly different one, as Darwin envisioned.

Hedin brilliantly likens the sorry state of the so-called Neo-Darwinian synthesis with the final stages of the old geocentric model of the solar system stubbornly held onto by Renaissance astronomers despite new and compelling evidence for the heliocentric model now universally adopted:

The theory of evolution shares characteristics in common with the geocentric model of the solar system. The geocentric model explained some things tolerably well, but it had to be jury-rigged more and more to explain away contrary evidence that continued to accumulate … for the geocentric model, it was the convenient idea of epicycles, messy add-ons to the geocentric model that became necessary to get it to fit the data. For evolutionists, it’s punctuated equilibrium, or co-option, or a dozen other highly strained just-so stories.

Wisdom is Older than Nature

In Chapter 11, Hedin defines human consciousness as yet another manifestation of design. Our world and the wider universe are arranged in such a way that it is comprehensible by the human mind, which sifts the chaos and brings out if it order, creating beautiful abstractions in the forms of music, art, mathematics and science. He points out that beauty is a reliable indicator of truth. In his own theoretical work, Hedin has argued that if a system of equations he’s working on don’t converge on something simpler and deeper, he’s probably not on the right track. Moreover, the surprising success of mathematics in describing the inner workings of nature strongly points to the existence of a great mind that must have existed, before space, time, and matter came into existence.

Hedin draws on the work of philosophers such as Richard Swinburne, C. S. Lewis, and Alvin Plantinga to effectively argue that materialistic accounts of how human consciousness arose frankly don’t stack up. Moreover, if rational thought was really the outworking of a mindless evolutionary process, we would have no reason to trust rational thought to begin with.

All in all, Cancelled Science is an inspiring and thought-provoking story of intellectual courage, powerfully demonstrating that the latest findings from origins science boldly proclaim a universe that was exquisitely designed from the bottom up by a masterful artist and Creator, whom Hedin implicitly identifies as the God of the Bible. It’s a must read for all Christian apologists.

Dr Neil English is that author of eight books on amateur and professional astronomy. His latest book is Choosing & Using Binoculars, a Guide for Stargazers, Birders and Outdoor Enthusiasts(Springer Publishing, 2023).