In a fallen world, where mankind’s rebellion against his Creator is now rapidly reaching pre-flood levels of wickedness, it is good to know that the planet Earth is still a pretty neat place to live. Protected by a just-right atmosphere of mainly nitrogen and oxygen, the Lord of Heaven’s armies has packed this planet full of living things and amazing geological features that bring joy to the human heart.
Our atmosphere is neither too dense or too rarefied, allowing us to peer deeply into the Cosmos, where we have caught a glimpse of eternity. And all around us, our Creator has left clear evidence of His handiwork so that we are without excuse on the day of judgement.
The human eye can only see so much though, but our Creator chose to give us a mind that enables us to improve our lot, to see things in new and different ways. That’s how I see my binoculars; simple tools that bring heaven and Earth closer, providing a perspective that transcends the limitations of my corporeal form. I am especially fortunate to live in a beautiful part of the world, away from the cities where atheism flourishes. Out in the sticks, I can enjoy the beauty of God’s creation more fully, in quietness, surrounded as I am by hills and valleys, green fields and lovely streams of cool, fresh rainwater that sustain the lives of all living things.
My wide-angle 8 x 42 binocular, in particular, is the perfect tool for combining the beauty of the night sky with that of the comeliness of the earthly creation. And in this blog, I would like to share with you some of the kinds of activities I get up to to bring these worlds together. This binocular provides a power of just 8 diameters but has an angular field of view wide enough to fit over 16 full Moons in the same wonderful portal. And with its decent light grasp, especially in fading or low light, it is powerful enough to allow me to simultaneously appreciate sights in the heavens and on earth.
Surrounded by mature trees, sometimes many times older than myself, I have grown terribly fond of framing famliar celestial sights, such as the Pleiades and the Hyades in the foreground of their impressive branches. Sometimes, I would wait for the stars in these clusters to fall in altitude after they culminate in the south, so that they are seen to ‘hover’ over the conifer trees beyond my back garden. And if, by chance, the presence of a gentle breeze in the binocular image is witnessed (and it can happen a lot!), then you’ve got a home run; an epiphany of sorts! At other times, I will plan a vigil where the soft light from the stars fills the background whilst the foreground is occupied with denuded winter branches of the deciduous trees near my home. A little light pollution can actually be advantageous in such circumstances as it can help illuminate the tree branches making them stand out more boldly against the stellar backdrop.
Living inside a long valley with verdant hills that soar to about 1000 feet on either side, my binocular is good at framing the rising Moon as its silvery light clears their summit in the east, or as it sinks behind the hills in the west. There are many times where I can plan to observe the Moon and the hilltops in the same field, creating visual scenes that leave a deep impression on me. I give thanks to my God for allowing me to witness such scenes, safe and secure at the bottom of a great sea of fresh, clean air.
Ever since childhood, I have been attracted to storms, often venturing out to feel the energy they generate in the atmosphere. Sometimes these storms occur on moonlit nights and I would think it nothing to grab my binocular and carry myself off to some favourite haunts, woody glades and the like, where moonbeams create wonderful atmospheric scenes, complemented by the sound of wind whistling through their branches.
My binocular has renewed my interest in observing the full Moon, not in and of itself, but when it is surrounded by low lying and fast-moving rain clouds, as often happens here in the British Isles. I watch as these clouds enter the outer field, inching their way toward the bright satellite, and all the while lighting up with beautiful colours caused by refraction of moonlight through raindrops. The colours often start off deep and moody, like dried-in blood, when far from the Moon, but as they move ever closer, the colours they generate; gorgeous shades of pink, yellows and even rose tints; saturate the cones on my retina and, upwelling feelings of great happiness.
The structure of clouds backlit by moonlight reveals wonderful, highly complex structures, as well as colours – knots, filaments and pleated sheets. Often the scene reminds me of the play of light on the matter which is expelled into the shells of planetary nebulae as imaged by a great telescope, with a white dwarf star being replaced by our very own Moon at its epicentre lol. Such natural shows of light and form rank as some of the most lovely and most surreal binocular images one is likely to capture. Sometimes, great gaping holes in the heavens open up around the clouds, allowing the light of the distant stars to be seen near the full Moon.
Dawn and dusk are good times to see some spectacular sights, such as the bright planet Venus sinking low into the sky, often silhouetted by interesting terrestrial structures, such as a distant hill, an old barnhouse or silo, church or windmill. By getting to know your horizons, sublime scenes can be captured with your binocular, bringing heaven and Earth together, just like it will be in the New Creation.
Cityscapes can also be used to enhance the binocular view. Framing bright star clusters like the Pleiades or a crescent Moon in the background to an old church spire, domed cathedral, or grand municipal building, can make for a very fetching sight. Photographers imagine likewise,of course, but the impromptu binocular experience is an even greater liberal art!
Another worthwhile project is to image the bright Moon over a large expanse of water, especially during calm conditions, when its reflection is quite mirror-like. Under the light of a town or city, smaller binoculars do just fine, like my little Pentax DCF 9 x 28 pocket instrument. You can even wander through your neighbourhood finding interesting foreground subjects to frame your celestial scenes in advance of an event.
It’s good to plan.
Well, I hope you get some ideas from this short article. In doing so, you can enjoy the best of the heavenly and terrestrial creations, and which can turn an otherwise mundane evening or morning into a very memorable one!
Neil English is the author of several books in amateur and professional astronomy.